In many ways, I was Cinema Paradiso's wide-eyed Salvatore di Vita who just got to discover the beauty of movies. I would let myself be transported to a pristine universe of fantasy where I could laugh and cry with the characters. I could celebrate their joy or share their pain and feel a surge of emotions that only cinema can evoke. The bedazzled me would be happy, despondent, shocked, agonized, tormented, astounded with every film I got a chance to immerse myself in.
For an 8-year-old this was a novel experience. Until then my exposure to films was limited to a few Bollywood countdown shows and a few trips to the local movie theatre with the family.

Image Courtesy: 20th Century Fox/Robert Wise
I remember watching in awe as the Von Trapp children sang and danced Do-Re-Mi with Maria around the breathtaking locales in Salzburg. The Sound of Music was perhaps my gateway to classics of Hollywood that left an indelible impression on me.
The serenity of the Alps, the spectacular lakes, the mellifluous music, the sheer drama, and entertainment - what more do you need to draw a child's attention?

Image Courtesy: Warner Bros
From The Sound of Music, I progressed to My Fair Lady and I was left equally enchanted. For hours I would hum, 'The Rain in Spain stays mainly on the plain' or get lost in my dreams singing, 'I could have danced all night'.
The evergreen classics also filled me with the knowledge that had so far remained out of bounds for me. Had it not been for the ethereal Audrey Hepburn, I would have never known at that age how gorgeous and sophisticated the Royal Ascot is.

Image Courtesy: Paramount Pictures
It was the same emotional upheaval inside me when Princess Ann had to part ways with journalist Joe Bradley at the end of the most wonderful Roman Holiday. I learned about heartbreak for the first time and seeing Gregory Peck leave that opulent ballroom all alone made me feel empty inside. I didn't want that ending yet that is how cruel life is. That film made me come face-to-face with harsh reality and helped me grow up.
Perhaps nobody better than Charlie Chaplin taught me about life. Through his inimitable brand of sarcasm and wit, he portrayed the close relation between comedy and tragedy.
"Life is a tragedy when seen in close-up but a comedy in Longshot" - said the Master. It actually took me years to decipher what he meant. And when I finally did, I was left speechless at how amazingly he could use his unique humour to exhibit some of the most mundane and tragic situations through his films.

Image Courtesy: Charlie Chaplin
Just as I didn't know what Ben-Hur or The Ten Commandments was all about. Yet that didn't stop me from feeling the thrill of the nine-minute chariot race in the 1959 Best Picture Oscar winner or letting it arouse the competitive spirit inside me.
I also still have vivid memories of cowering in fear when the terrifying shark in Jaws devoured the shark hunter. I was left numb with pain.
I was too little to comprehend at that age that it was all due to the sheer brilliance of the art department in Steven Spielberg's gripping thriller - something I understood much later.

Image Courtesy: Metro-Goldwyn-Mayer/Sam Zimbalist
You learn to value them more when you realize how brutally real and downright honest they have been.
You fall madly in love with them when you fathom the very fact that they had been preparing you for life ahead all along.
Through their simplicity and their unadulterated nature, classics tell you more about life in just a couple of hours than anything ever could. They touch your deepest chord and make you feel emotions you never knew existed within you, shaping your persona and your identity.
They build YOU.
That is why they are my lifelong friends. And so should be yours.